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‘I don’t wish to be included in your ghetto mentality and fetishization of where I might come from, as I don’t have anything to prove or justify to you so just fuck off.’

Texts

The following publications include sections that refer to Franko B and his work:

• Performed Imaginaries

Richard Schechner [Routledge] (2015)

• Interactive Contemporary Art: Participation in Practice

Kathryn Brown (editor) [I. B. Taurus] (2014)

• Hold it Against Me: Difficulty and Emotion in Contemporary Art

Jennifer Doyle [Duke University Press] (2013)

• The Decline and Fall of the Avant-Garde

Edward Lucie-Smith [Cv Publications] (2013)

• The Art of Walking: A Field Guide

David Evans [Black Dog Publishing, London] (2013)

• Histories and Practices of Live Art

Diedre Heddon and Jennie Klein (editors) [Palgrave MacMillan] (2012)

• Perform, Repeat, Record: Live Art in History

Amelia Jones & Adrian Heathfield [Intellect Books and Live Art Development Agency, London] (2012)

• Theatre and the Visual

Dominic Johnson [Palgrave Macmillan] (2012)

• Intimacy Across Visceral and Digital Performance

Maria Chatzichristodoulou and Rachel Zerihan (editors) [Palgrave MAcmillan] (2012)

• Trauma-Tragedy: Symptoms of Contemporary Performance

Patrick Duggan [Manchester University Press] (2012)

• Contemporary British Art: An Introduction

Grant Pooke [Routledge] (2011)

• Performance Perspectives: A Critical Introduction

Jonathan Pitches and Sita Popat [Palgrave Macmillan] (2011)

• A Dance

Alexander Barabanov [Jonathan Cape] (2011)

• Performance Theatre and the Poetics of Failure

Sara Jane Bailes [Routledge] (2011)

• Eroticism and Death in Theatre and Performance

Karoline Gritzner (editor) [University of Hertfordshire Press] (2010)

• The Provocation of the Senses in Contemporary Theatre

Stephen di Benedetto [Routledge] (2010)

• The Actor in Costume

Aiofe Monks [Palgrave Macmillan] (2010)

• The Body in Contemporary Art

Sally O’Reilly [Thames & Hudson] (2009)

• Art & Sex

Gray Watson [I. B. Taurus] (2008)

• Spectacular Suffering (Staging) the Bleeding Body >

Mary Richards [Performance Art Journal 88] (2008)

• Performing the Matrix: Mediating Cultural Performance

Meike Wagner & Wolfe-Dieter Ernst (editors) [epodium, Munich] (2008)

• Art History: The Basics

Diana Newall and Grant Pooke [Routledge] (2008)

• Textile Volume 6 Issue 3

Caryn Simonson (editor) [Berg] (2008)

• Eroticism and Art [Oxford History of Art]

Alyce Mahon [Oxford University Press] (2007)

• Gay Living

Gianni Basso [Gribaudo, Italy] (2007)

• Physical Theatres: A Critical Reader

John Keefe and Simon Murray (editors) [Routledge] (2007)

• New Performance / New Writing

John Freeman [Routledge] (2007)

• The Artist’s Body

Tracey War [Phaidon Press] (2006)

• Jean Genet: Performance and Politics

Clare Finburgh, Carl Lavery and Maria Shevtsova (editors) [Palgrave Macmillan] (2006)

• Where Angels Fear to Hover

Katarzyna Ancuta [Peter Lang] (2005)

• Live: Art and Performance

Adrian Heathfield (Editor) [Tate Publishing, London] (2004)

• Virus Art

Francesca Alfano Miglietti (FAM) (Editor) [Skira Editore] (2003)

• Extreme Bodies: The Use and Abuse of the Body in Contemporary Art

Francesca Alfano Miglietti (FAM) (Editor) [Skira Editore] (2003)

• Archeologie du Present

Michel Onfray [Adam Biro] (2003)

• Information Arts: Intersections of Art, Science and Technology

Stephen Wilson [MIT Press] (2002)

• The Prosthetic Aesthetic

Marquard Smith [Lawrence & Wishart] (2002)

• Body Art and Performance

Lea Vergine [Skira] (2000)

• The Body in Performance

Patrick Campbell [Routledge] (2000)

• European Medieval Drama

Sydney Higgins [Brepols] (1999)

• Arte Estrema

Giuseppe Savoca [Castelvecchi] (1999)

• The Drama Review: Volume 43 No. 4 - ‘With / out An-aesthetic: The Terrible Beauty of Franko B’

Patrick Campbell and Helen Spackman (1998)

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© 2017 Franko B and the contributors